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2001 single by Kylie Minogue

2001 single by Kylie Minogue

"Can't Get Yous Out of My Head"
A woman is posing while wearing a white dress and high heels. A wired microphone is wrapped up on her left leg. A black box featuring the words 'Kylie' and 'Can't Get You Out of My Head' in white is placed on the right.

Encompass of CD 02 and digital releases
Single past Kylie Minogue
from the album Fever
B-side
  • "Boy"
  • "Rendezvous at Sunset"
Released 8 September 2001 (2001-09-08)
Studio Surrey, England
Genre
  • Dance-popular
  • techno-pop
  • nu-disco
Length iii:fifty
Label Parlophone Records
Songwriter(s)
  • Cathy Dennis
  • Rob Davis
Producer(south)
  • Cathy Dennis
  • Rob Davis
Kylie Minogue singles chronology
"Your Disco Needs You"
(2001) 		"Can't Go You Out of My Caput"
(2001) 		"In Your Eyes"
(2002)
Music video
"Tin can't Get Yous Out of My Caput" on YouTube

"Can't Get You Out of My Head" is a song that was recorded past Australian singer Kylie Minogue for her eighth studio album Fever (2001). Parlophone Records released the song as the album'due south pb single on eight September 2001. "Tin can't Get You lot Out of My Head", which was written and produced by Cathy Dennis and Rob Davis, is a dance-pop, techno-popular and nu-disco song that is known for its "la la la" hook. Its lyrics are about obsession with a love interest. Music critics praised the song's production and Minogue's vocals and labelled it a highlight of Fever.

The song reached number i on charts in 40 countries worldwide. It peaked at number 1 on the UK Singles Chart for four weeks and was certified two-times platinum past the British Phonographic Manufacture (BPI). It also topped the Australian Singles Nautical chart and received a iii-times Platinum certification from the Australian Recording Industry Association. In the United States, the vocal peaked at number vii on the Billboard Hot 100 nautical chart and became Minogue's beginning US height-10 single in 13 years. As of 2018[update], the track has sold over five meg copies worldwide.

Dawn Shadforth directed the music video for "Tin't Become You Out of My Head", which features Minogue dancing against futuristic backdrops; the white one-piece she wore in the video became a fashion statement. Since the song's release, Minogue has included it on the set lists of diverse concert tours. "Tin can't Get You lot Out of My Head" appeared on several decade-terminate lists compiled past media such every bit Rolling Rock, The Guardian and NME. In 2012, Minogue re-recorded the song for her orchestral compilation album The Abbey Road Sessions.

Writing and release [edit]

In 2000, British singer-songwriter Cathy Dennis and English songwriter Rob Davis had been brought together by Universal Publishing to work on new music. The session for "Can't Get You lot Out of My Head" began with Davis generating a 125 bpm drum loop using the computer program Cubase. Dennis improvised with the line "I just can't become you out of my caput", which later on became the song's lyric.[1] After three and a half hours, Davis and Dennis had recorded the demo for "Can't Become Y'all Out of My Head" and the vocals were recorded the aforementioned day; the pair said the recording process was "very natural and fluid", and did not rely on heavy instrumentation.[i]

Prior to pitching the vocal to Kylie Minogue, Davis and Dennis unsuccessfully offered it to Due south Club vii and Sophie Ellis-Bextor.[one] [2] Davis then met with Minogue's A&R executive Jamie Nelson, who was impressed past the song'south upbeat product and thought information technology would appeal to clubgoers. Nelson booked the song for Minogue to tape.[ane] [iii] Although Davis thought the recording session would later be cancelled,[1] Minogue wanted to record the song after hearing 20 seconds of the demo.[4] The vocal was recorded at Davis's home studio in Surrey, England. The music, except the guitar function, was programmed using a Korg Triton workstation via a MIDI interface.[iii] Tim Orford was the mix engineer for the song.[v] In a 2011 interview Dennis stated, "even though Kylie wasn't the commencement creative person to exist offered the song, I don't believe anyone else would take done the incredible job she did with it".[1]

In 2001, Minogue embarked on the On a Night Similar This tour to promote her seventh studio album Light Years (2000).[6] She premiered "Can't Get You Out of My Head" on stage during the tour.[7] Information technology was after chosen equally the lead single from Minogue's eighth studio album Fever and Parlophone Records released it on 8 September 2001 in Australia[7] and on 17 September in the Uk and other European countries.[8] In the United States, Capitol Records issued a 12-inch vinyl single on 8 Jan 2002.[9]

Composition and lyrical interpretation [edit]

"Tin't Get You Out of My Head" is three minutes and fifty seconds long.[10] In their volume The New Rolling Stone Album Guide, Nathan Brackett and Christian David Hoard labelled it a neo-disco rail.[11] Justin Myers of the Official Charts Company characterized information technology as a trip the light fantastic toe-popular song,[12] while Stereogum's Tom Breinan described it every bit a techno-popular anthem.[13] "Can't Get You Out of My Caput" is written in the key of D minor.[14]

The vocal, which does non follow the common poetry–chorus structure, is composed of numerous fragmented sections.[one] According to Davis, it "breaks a few rules as it starts with a chorus and in comes the 'la's'".[1] Minogue chants a "la la la" hook that is often noted as the song's near appealing role by music critics.[fifteen] [xvi] According to BBC Radio 2, the vocal'south composition is "deceptively simple, but its veins run with the whole history of electronic music".[17] The writer described the song's bassline as "pulsing" and influenced by the music of English language rock band New Guild and German language electronic music band Kraftwerk.[17]

"Tin't Go You Out of My Caput" is about an obsession with an unknown person, who co-ordinate to The Guardian'southward Dorian Lansky could be "a partner, an evasive one-night stand up or someone who doesn't know [the song's narrator] exists".[xv] Writing for the same newspaper, Everett Truthful identified a "darker element" in the elementary lyrics and said this sentiment is echoed in Minogue's restrained vocals.[18] True too said while Minogue'south before work presented an optimistic romantic futurity, "Can't Go You Out of My Head" focuses on an unhealthy and potentially subversive obsession.[18] He noted in her earlier songs, Minogue played "the wide-eyed ingénue with alacrity" but that in this track, she is aware of the harmful nature of her infatuation, which True called a "desire that is wholly dependent on her ain self-control".[18]

In 2012, Minogue re-recorded "Can't Get You Out of My Caput" for her orchestral compilation album The Abbey Route Sessions.[19] The 2012 version of the song has an contradistinct musical arrangement and uses a pizzicato playing technique in which the strings of a cord instrument are continuously plucked.[xx] [21]

Critical reception [edit]

Chris True of AllMusic picked "Can't Get You Out of My Caput" as a highlight of Fever, saying it "pulses and grooves like no other she's recorded".[22] Entertainment Weekly 's Jim Farber said the song "fully lives up to its championship" and compared information technology to the music of American singer Andrea True.[23] PopMatters' Jason Thompson described Minogue'south vocals as a "sexual come up on" and called the song "trim and funky".[24] Dominique Leone of Pitchfork wrote that the song "exudes a catchiness that belies its inherent simplicity, so reassuring during an era when chart acts sound increasingly baroque and producers race to see who tin can ape electronic music trends first".[25]

In 2012, The Guardian critic Everett True defined "Can't Get You Out of My Head" equally "one of those rare moments in pop: sleek and chic and stylish and damnably danceable, just with a darker element hidden in plain sight".[eighteen] In a 2014 retrospective review, Billboard 's Jason Lipshutz praised Minogue'due south vocals and said they complement the product, and that; "her vocalization operates alongside information technology, finding renewed ability in its drive".[26] Olive Pometsey of GQ deemed it "the audio of the noughties", highlighting the synthesisers that create "a moment of pure pop perfection".[27] Writing for the Herald Sun, Cameron Adams placed "Can't Get Yous Out of My Head" at the top of his list of Minogue's best songs and called it "a happy blow". Adams wrote, "if you could program a computer to formulate the perfect pop song, it would sound like this".[28]

Reviewing The Abbey Road Sessions ' version of the song, Tim Sendra of AllMusic said the "near interesting reboot" on the album took identify on "Tin can't Get You lot Out of My Caput", saying the "insistent strings push the vocal along with tightly coiled electricity that is incommunicable to resist".[xix] Sal Cinquemani of Slant Magazine chose the song as one of the album's highlights, saying its arrangement makes up for the absence of dance beats and vocal production.[20] The Independent 's Simon Price wrote while the original version of "Tin can't Get You lot Out of My Caput" would be "impossible to better on", the reworked version "turns it into a pizzicato thriller score".[21] According to Jude Rogers of The Quietus, the song'southward orchestral treatment does non piece of work well for its memorable electronic production.[29]

In 2003, Q Magazine ranked "Tin't Get Y'all Out of My Head" at number 694 on their listing of the 1001 All-time Songs Ever.[thirty] In 2011, Rolling Stone mag placed it at number 45 on their 100 All-time Songs of the 2000s listing, noting Minogue "seduced the The states with this mirror-brawl archetype".[31] NME ranked the vocal at number 74 on their 100 Best Rail of the Noughties list, saying information technology "encapsulated everything enviable in a well-crafted song" and that it is Minogue'south best unmarried.[32] In 2012, Priya Elan of NME placed the song at number four on her The Greatest Popular Songs in History list.[33] In 2012, The Guardian included the song on their list of The Best Number 1 Records in the United kingdom of great britain and northern ireland, labelling it "sleek, Arctic-blue minimalism, similar an emotionally thwarted retelling of Donna Summertime'south 'I Experience Love' ".[xv] "Tin't Become You Out of My Head" won the accolade for Best Single at the 2001 Peak of the Pops Awards ceremony.[34] At the 2002 ARIA Music Awards ceremony, it won the awards for Single of the Year and Highest Selling Single, and Minogue won the Outstanding Achievement Award.[35] In 2002, it won a Dutch Edison Honour for Unmarried of the Year.[36] At the inaugural Premios Oye! in 2002, the vocal received a nomination in the Song of the Year category.[37]

Commercial performance [edit]

"Can't Get You Out of My Head" reached number one in 40 countries worldwide.[33] In Australia, the song entered the singles chart at number one and remained at that place for four sequent weeks.[38] The Australian Recording Industry Association certified it 3-times Platinum, for shipments of over 210,000 copies.[39] In the Uk, it faced competition from Victoria Beckham's single "Not Such an Innocent Girl" (2001).[40] [41] [42] On the 29 September 2001 UK Singles Nautical chart, "Can't Get You Out of My Head" debuted at number one with first-week sales of 306,000 copies.[43] It spent four weeks at number one and remained for 25 weeks in the Uk'due south top 40.[44] It was certified 2-times Platinum past the British Phonographic Manufacture.[45] As of 2021, it has sold over 1.53 meg copies,[46] and past 2013 information technology was the country's 75th all-time-selling single of all fourth dimension.[47] In the United States, "Can't Get You Out of My Head" peaked at number seven on the Billboard Hot 100 nautical chart[48] and became Minogue'due south best-selling United states unmarried since "The Loco-Move" (1987).[49] The Recording Industry Clan of America certified "Can't Become You Out of My Head" Gilt for shipments of over 500,000 copies.[fifty]

The song was also certified Gilt in Belgium, and New Zealand, Platinum in Austria, France, Germany, Hellenic republic, kingdom of the netherlands, Norway, South Africa, Sweden, and Switzerland; and two-times Platinum in Italian republic.[51] As of February 2018, it is Minogue's highest-selling single with worldwide sales of over five million copies.[52]

Music video [edit]

Development and synopsis [edit]

Minogue wearing a white hooded jumpsuit

A scene from the song's music video where Minogue wears a white hooded jumpsuit.

British director Dawn Shadforth directed the music video for "Can't Get You Out of My Caput",[53] which includes dance routines that were choreographed past American choreographer Michael Rooney.[54] Minogue'southward looks—her youthfulness, slim effigy and proportionally large mouth–had attracted comments on her exotic paradigm; the British tabloid newspaper News of the World suggested she might be an alien.[53] Shadforth and music critic Paul Morley took the comments on Minogue's looks into consideration, commenting on her every bit a "creative, experimental artist" by placing her face close to the photographic camera lens in the music video, distorting her face but retaining her glamour.[53]

The video begins with Minogue driving a De Tomaso Mangusta sports car while singing the song.[55] The next scene depicts a number of couples dressed in black and white costumes performing a dance routine; they are before long joined by Minogue, who has wavy low-cal-dark-brown hair and is wearing a white tracksuit. The setting changes to a room where Minogue, now with straight hair and crimson lipstick, and wearing a white jumpsuit with a neckline plunging downwardly to her belly button, is striking poses.[56] The outfit was designed past London-based way designer Fee Doran under the label Mrs Jones.[56] According to Minogue, the outfit was inspired by fashion designs worn by Jamaican vocalist and model, Grace Jones.[57] Minogue then performs a synchronised dance routine with several fill-in dancers, who are wearing red-and-black suits.[17] Equally the video ends, Minogue—once more with curly hair and wearing a lavender halter-cervix apparel with ribbon tile trim, performs a similar routine on superlative of a building at nighttime.[58]

Impact [edit]

At the 2002 MTV Video Music Awards ceremony, the music video was nominated for Best Trip the light fantastic Video; Rooney won the accolade for All-time Choreography.[59] The hooded white jumpsuit Minogue wore in the music video is frequently considered to be one of her most iconic looks, particularly considering of its deep, plunging neckline.[56] [60] [61] Minogue'southward stylist William Baker described the selection of the outfit, saying, "information technology was pure but kind of slutty at the same time".[56] The outfit was put on display at Kylie: The Exhibition, which featured memorabilia and costumes from Minogue's career, which was held at the Victoria and Albert Museum in London, and at the like Kylie: an exhibition at the Powerhouse Museum in Sydney.[58] [62] The one-piece was also included in Minogue'southward official fashion photography volume Kylie / Fashion, which was released to celebrate her 25 years in music.[61]

The music video served as an inspiration for Morley while writing his volume Words and Music: The History of Pop in the Shape of a City. In it, Morley said he "turned the lonely drive [Minogue] made in the song'southward video towards a metropolis ... into a fictional history of music".[63] Academy lecturers Diane Railton and Paul Weston, in their 2005 essay "Naughty Girls and Red Blooded Women (Representations of Female person Heterosexuality in Music Video)", contrasted the music video of "Can't Get You lot Out of My Head" with that of Beyoncé's 2003 single "Infant Boy"; while both videos focus on ii singers performing seductive trip the light fantastic toe routines, Minogue is presented in a calculated manner and "is e'er conditional, restricted, and contingent", whereas Beyoncé displays a item "primitive, feral, uncontrolled and uncontrollable" sexuality that is embodied in the blackness female trunk. Railton and Weston said the videos are representative of the depictions of white and black women in colonial times and pop culture, respectively.[64]

Live performances [edit]

Minogue performing while wearing a gold metallic blouse and jeans

Minogue performing "Can't Go You Out of My Caput" during the Golden Tour (2018–2019)

On two September 2001, Minogue performed "Can't Get Y'all Out of My Head" at the BBC Radio 1 1 Big Sun show in Leicester, UK.[65] She sang the vocal on 8 November 2001 at the MTV Europe Music Awards anniversary in Frankfurt.[66] At the 2002 Brit Awards held on 20 Feb 2002, Minogue performed a mash-upwardly version of "Tin can't Go You Out of My Head" and New Order's song "Blue Monday" (1983).[33] The performance was ranked at number 40 on The Guardian 'southward 2011 list of fifty Primal Events in the History of Trip the light fantastic Music.[67] The mashup was titled "Tin can't Get Blueish Monday Out of My Head"; it was released as the B-side of "Love at First Sight" and was included on Minogue's remix album Boombox (2008).[68] [69] On 16 March 2002, Minogue performed "Can't Get You Out of My Head" forth with "In Your Eyes", on the US television set show Sat Dark Live.[lxx] On 13 December 2002, Minogue performed the song alongside "Come into My World" on Good Morning America.[71]

In 2001, "Tin can't Get You Out of My Head" was included on the set list of Minogue'south "On a Nighttime Like This bout[72] and the encore segment of the KylieFever2002 bout, which promoted Fever.[73] In 2003, Minogue performed "Can't Go You Out of My Head" at the i-night concert Money Can't Buy at the Hammersmith Apollo in London in support of her ninth studio anthology Torso Language.[74] In 2005, she performed the song on her Showgirl: The Greatest Hits tour[75] and on her Showgirl: The Homecoming tour in 2006–2007.[76] In 2008, she sang "Can't Get You lot Out of My Caput" on the KylieX2008 bout.[77] In 2009, Minogue performed the song on the For You lot, for Me bout, which was her first concert tour of N America.[78]

A rock-oriented version of the song was performed during the Aphrodite: Les Folies Tour in 2011.[79] The following yr, Minogue promoted The Abbey Route Sessions past performing at the BBC Proms in the Park at Hyde Park, London.[80] During the event, she sang the orchestral version of "Tin't Get You Out of My Head".[81] She performed the same version of the song on series nine of The X Gene in the Uk on 8 December 2012.[82] A "slower, darker version" of the song was included on Minogue's Osculation Me One time Tour (2014–2015) set listing.[83] She likewise included "Can't Get You Out of My Caput" on the 2015 Royal Albert Hall operation as part of her A Kylie Christmas concert.[84] An audio-visual-guitar-driven version of the song was performed on the Gilt Bout (2018–2019).[85] In 2019, during her Glastonbury Festival ready, Minogue was joined past English language vocalizer Chris Martin and they performed "Can't Get You Out of My Head" together.[86]

Legacy [edit]

According to writer Lee Barron, "Can't Become You lot Out of My Head" "farther established Minogue'south cultural and commercial relevance in the new millennium".[87] He said the song "with its hypnotic 'la la la' refrain and the deceptively simple, catchily repetitive beats and synth-sound, marked yet some other clearly divers image transformation from the camp-infused Light Years to an emphasis upon a cool, machine-like sexuality".[87] Everett True of The Guardian wrote the vocal connected Kylie's transition from the girl-next-door to "flirtatious, sophisticated persona" that started with the release of "Spinning Around" in 2000.[18] True said the success of "Tin can't Get You lot Out of My Head" was one of the motivating factors backside "manufactured" pop music gaining "new postmodern respectability" and marked a "articulate shift in attitude towards pop music among the 'serious' rock critic fraternity".[xviii]

Publications like The Guardian and Rolling Stone recognise "Can't Get You Out of My Head" equally Minogue'southward signature song.[18] [88] In 2012, the U.k. bureau PRS for Music, which collects royalties on behalf of songwriters and composers, named "Can't Go You Out of My Caput" the most popular song of the decade because information technology received the most airplay and live covers in the 2000s decade.[89] [90]

Track listings [edit]

Charts [edit]

Certifications and sales [edit]

Come across too [edit]

  • List of number-one singles of 2001 (Australia)
  • List of number-i hits of 2001 (Austria)
  • Ultratop 50 number-one hits of 2001
  • Ultratop 40 number-one hits of 2001
  • List of number-ane songs of the 2000s (Denmark)
  • List of European number-one hits of 2001
  • List of number-i singles of 2001 (French republic)
  • List of number-one hits of 2001 (Germany)
  • List of number-1 singles of 2001 (Republic of ireland)
  • List of number-one hits of 2001 (Italy)
  • List of Dutch Top xl number-1 singles of 2001
  • List of number-1 singles from the 2000s (New Zealand)
  • List of number-one songs in Norway
  • List of number-i singles of 2001 (Espana)
  • List of number-one singles of the 2000s (Sweden)
  • List of number-i singles of the 2000s (Switzerland)
  • Listing of UK Singles Chart number ones of the 2000s
  • List of number-i trip the light fantastic singles of 2002 (U.Southward.)

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Farther reading [edit]

  • Sheridan, Simon (2009). The Complete Kylie (second ed.). Reynolds & Hearn Books. ISBN978-one-9052-8789-5.

External links [edit]

  • "Can't Go You Out of My Head" at Kylie Minogue's official website

walczakknour1970.blogspot.com

Source: https://en.wikipedia.org/wiki/Can%27t_Get_You_Out_of_My_Head

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